Champasak lends itself well to superlatives.
The southernmost province embodies such awe-struck descriptions as “most beautiful” place in Laos with the “best coffee and goi pa/ກ້ອຍປາ” and astounding sunsets.
Starting from Champa’ and traveling west, you would encounter the region of Isaan within the country of Thailand. Turning east toward the rising sun, ascending the Bolaven Plateau, and keeping onward, you would find yourself in the wet heights of Attapeu or Sekong Province. Southward to the Cambodian border, you would come across four thousand islands carved by waters that came all the way from Tibetan elevations.
Pakse, the capital of Champasak Province and second-largest city in the country, is often the beginning and end point to exploring the rainy, coffee-growing region. It also serves as a jumping off point for trade and travel to Cambodia, Vietnam, or Thailand. Like many large cities in Laos, Pakse lies along the Mekong; unlike every other large city in Laos, it’s divided into two by the southerly meander of the Nam Xe Don tributary.
The city offers some fairly impressive views of both rivers and their confluence. One of those views — from the hill across the Lao-Nippon Bridge — is intended for those prepared to handle some dilapidated wooden stairs (and just stairs in general). The lookout near Wat Phu Salao and its Golden Buddha offers an expansive view of the City-split-in-two:
However, Champasak’s main tourist draw is its plentiful waterfalls.
Assuming you know the road and have a motorbike, you could visit at least three in a day. Some waterfalls are encircled by restaurants and small-ish resorts, meaning that no trekking is required. Others require a little more from their would-be visitors (and offer more in exchange). Tile 2’s Tad Gneuang Falls, for example, first transforms its visitors into unwitting worshipers. Then it drenches them in a mildly holy mist as they clamber down a path of slick and steep stone stairs to snap a shot in fleeting wonder.
The Khone Phapeng Falls just north of the Cambodian border are a veritable apotheosis. Over 11,000m³ of water pass over these falls every second, making them one of the largest falls by volume in the world — a full four times larger than Niagara Falls and ten times larger than Victoria Falls.¹ The falls consist of a network of narrow channels and steep cataracts that spans 10km altogether, making it the widest waterfall in the world.
About 40km upstream of the Khone Phapheng Falls, the Mekong already begins to stretch itself out into a patchwork of waterways and rapids patterned with proliferate islands. Together, they form the eponymous archipelago of Four Thousand Islands//Siphandon.
The challenging river terrain once stymied French colonial traders seeking to connect the then-colony of Indochina with China at the Mekong/Lancang headwaters. Khone Phapheng’s rocky rapids forced them to build a small-gauge railway between Don Khone, the largest island, and its neighbor, Don Det, to circumvent the impassable falls. The railway eventually fell into disuse in the 1940s, but was, for a time, the only railway built in Laos until Thailand’s Northeastern Line was extended from Nong Khai to Vientiane in 2009.
Nowadays, the islands are still just as split-up and surrounded by the Mekong as they were a hundred years ago. Bridges and ferry boats connect the islands across the copious channels that flow between them. These channels act as a natural funnel for the river’s fish, making some areas — like just downstream of Khone Pasoi Falls, for instance — ideal fishing grounds.
Champasak isn’t just the sum total of tourist descriptions of waterfalls and dreamy islands, though.
Sure, many of Champa’s observable features could be recorded and told in denotative language, but they’re often meaningless without an underpinning of value. Frequently it’s the things that are less observable that inspire that value. However, those less-observable things are themselves the product of some sort of secret summation based on physicality and straightforward perception.
So, with some simplification, Champasak is a place where things occur and continue and are built upon or removed. Lumber and steel and clay bricks have been arranged here. They’ve been moved just as much as the black opalescent butterflies and dalmatian clouds glide northward to Salavan. This space is where ant colonies function. In July, a new crop of glutinous rice will be transplanted, then grown, harvested, processed, and cooked.
In Champasak, families build houses and share meals and peer across the table at one another. Here, people walk across somewhat reddish soil that, when trenched into paddy and inundated by seasonal rain, appears more brown than its un-wet color.
In juxtaposition with the sky and its green-leaved downstairs neighbors reaching into the upward open, the dirt path and side-of-the-road wooden fences are quite content to stay put.
And that’s alright, here is both.
Beginnings of things might be when the-other-way-around comes rightside-up.
For example, watching some birds and bats and airplanes fly upside-down outside the window then sitting up to see them cruising the typical way.
Ends of things might be when they slowly topple down head-first or their physical becomes something else’s physical.
Example: when Pakse drifts off to some southern and eastern place and then, one year later, starting to wonder how long the distance has been.
Because of those upwards and downwards, and because the evening can slowly turn purple to pink Navel orange,
It stitches them together as if it’s “been there” too — starting out/settling down.
Water listens before anything else, even when stepping into the warm rain bathing (brown) in this rice paddy,
and the sky feels breath-heat, making space.
Green things are a cure. Seriously.
Which is why it’s alright to watch things upside-down, wonder about four thousand islands in Berlin, and still have muddy toenails for many days.